Borrowing its name from Greek mythology, the collection looks back to the primordial void described by Hesiod. Not as emptiness, but as a fertile state from which landscapes, bodies, and worlds could emerge.

This idea has always echoed my own creative process. Every sculpture begins as an uncertain mass. I carve, fracture, and reshape the bronze without knowing exactly what it will become. The material resists, surprises, and slowly reveals its own direction.

Khaos is a reflexion on creation itself.
On what exists before certainty, before beauty, before form.